The Dubliners (with Luke Kelly)
1964 — Transatlantic TRA 116 LP
The Wild Rover
The Ragman's Ball
Preab san ol
The High Reel
The Holy Ground
Tramps and Hawkers
Home Boys, Home
The Rocky Road to Dublin
Banks of the Roses
I'll tell me Ma
Swallow's Tail Reel
Jar of Porter
Love is pleasing
Ronnie Drew: Vocals and Guitar
Luke Kelly: Vocals and Banjo
Barney McKenna: Banjo
Ciarán Bourke: Vocals and Tin Whistle
Cover Photo and Design By Brian Shuel
Recorded by Bill Leader
Produced by Nathan Joseph
Transatlantic Records Ltd., London, England
According to the (below) 2003 re-mastered CD release, this LP was recorded live before an invited audience at London's Livingston Studios in late 1963.
Tom Leader aged 5, was talking to the roadsweeper. Four Irishmen emerged from a house nearby "They look like 4 nannygoats", said the Roadsweeper". "No", said Tom, who had heard them sing. "Nannygoats have horns".
Ciaron [sic] Bourke, Barney McKenna, Ronnie Drew and Luke Kelly have beards. Barney's is big, black and bushy and Barney is big, giving an overall Impression of a benign Californian black bear. Barney plays the banjo with a dexterity unmatched by anyone else In Britain. Ronnie Drew's beard is still blacker than Barney's, but smaller and trimmer. It encircles his face in such a way that his eyes resemble a cat's peering out of a coal cellar, or a devil glaring out of hell. Ronnie plays guitar and sings in a voice like coke being crushed under a door. Ciaron's [sic] beard is lighter in colour and straggles a little. The hair is not so wiry either. Ciaron is the quiet member of the group. He plays the whistle and his voice has a softer texture than Luke's or Ronnie's. Luke has a smart, sharp ginger beard. The others accuse him of being an Intellectual. He is more lone wolf than nannygoat. He sings in a voice to wake the dead and scare recording engineers, and plays the banjo.
Together as the Dubliners, they are enough to warm the heart of any Irishman and to frighten the British immigration authorities. They are Dublin's darlings; impossible for an audience to resist and impossible to record. We recorded them.
The Wild Rover was collected by Luke in England. There is also a Dublin version of the song.
In The Ragman's Ball, you have in Ronnie Drew the finest exponent of Dublin type ballad singing. The loop-line porter mentioned was a slang term for cheap porter sold in Brady's pub In Ash Street.
Preab San Ol is an old Irish drinking song which was translated by Donald O' Sullivan. Its philosophy appeals particularly to Irish people-since you can't take money with you, you might as well drink it.
The High Reel is a fine example of a Scottish reel which came to Ireland and was much enhanced with Irish grace notes and decorations. Barney uses a lot of trick playing when he plays this reel.
In Cobh, Co. Cork, where Transatlantic Liners dock, there is a spot called The Holy Ground where sailors enjoyed themselves while ashore. It was Luke who collected the next song, Tramps and Hawkers while singing with the group in Scotland.
The last song on this side Home Boys Home has a moral for all tardy women. There are many versions of this song.
The Rocky Road to Dublin is a slip jig and is really our signature tune. It was collected by Colm O'Loughlm.
The Banks of the Roses, a love song, is sung a lot In Ireland.
I'll Tell My Ma, is a Dublin Children's skipping song and is sung universally by children.
Barney got the next song The Swallow Tail Reel from Sonny Brogan, an old Dublin accordian [sic] player.
While travelling around Ireland Ciaron collected verses of the blackguarding song The Jar of Porter.
We finish the record with The Nightingale which, like "Home Boys Home" has a little moral for women on the wiles of men.
Ciaron [sic] Bourke